What main purpose does a drapery behind a still life composition serve?
A. It defines the placement of objects in the drawing.
B. It ensures symmetry in the composition.
C. It focuses the viewer’s attention on the still life.
D. It grounds the composition by adding a surface on which the objects can sit.

C. It focuses the viewer’s attention on the still life.

The main purpose of a drapery behind a still-life composition serves focuses the viewer’s attention on the still life. Thus, option 'C' is the correct option.

The use of drapery in art and sculpture dates back to the Renaissance and continued into the 19th century. In the Romantic era, drapery evolved from a purely aesthetic function into a standalone element that carried wind power and amplified human character in the world. Through color and movement, drapery gave compositions more energy and made it evident what an artist intended to convey emotionally.

Drapery is obviously used to carry the moral aspect of a painting in several 19th-century etudes, which are rapid paint studies that quickly describe how the image would seem from a distance. Today, draperies are once more playing a supporting role. Most of the time, one's position and the attire they are wearing are all that matters.

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Another repost. What is the name of the song, and who is the artist? I need it to help study for music class.

One foot on the bus 'bout half past nine
I knew that you were leaving this time
I thought about laying down in its path
Thinking that you might get off for that
I'll move on baby, just like you
When the desert floods and the grass turns blue
When a sailing ship don't need her moon
It'll break my heart, but I'll get through
Someday when I stop loving you
I bet all I had on a thing called love
I guess in the end it wasn't enough
And it's hard to watch you leave right now
I'm gonna have to learn to let you go somehow
Somehow
I'll move on baby, just like you
When the desert floods and the grass turns blue
When a sailing ship don't need her moon
It'll break my heart, but I'll get through
Someday when I stop loving you
Ooh, oh someday
Oh someday
I'll move on baby, just like you
When the desert floods and the grass turns blue
When a sailing ship don't need her moon
It'll break my heart, but I'll get through
Someday when I stop loving you
Someday when I stop loving you

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There are a number of stylistic characteristics of Dogon sculpture. Which of these is NOT a characteristic of Dogon sculpture?

a
Horsemen, musicians, women with vessels on their heads, and figures bending from the waist are all found in Dogon sculpture.

b
Dogon sculpture is often made from metalwork and carved ivory.

c
The human figure is often represented in simple forms.

d
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